Showing posts with label novel writing. Show all posts
Showing posts with label novel writing. Show all posts

Thursday, July 01, 2010

The Men of Death at the Double Inkwell

Jovan and Cheyenne are the major chicas of Death at the Double Inkwell, but several men play integral roles to the telling of this story, and each man is his own man, too, with unique personalities that range from the misguided to the strong Alpha male.

Cordell Anderson is the love of Jovan's life. The two met in college, and Cordell was quick to pursue her and make her his wife. He's the founder and CEO of Anderson Technologies, a thriving technology company...or is it? So many secrets surround Cordell it's hard to figure out just who he truly is. And as the story moves on, so many of those secrets are revealed that it takes Jovan's memories of the good times for us to see that he wasn't always an ass.

Timothy Anderson is Cordell's younger brother. He and Cordell get compared to one another all the time--in looks alone. Their lives are as different as sun and moon. Whereas Cordell is a take charge, get what he wants when he wants it kind of man, Timothy is quiet, reserved, timid. He has collected some demons over the years, and in the past, he has used harmful means to eradicate those demons. He's now trying to be on the up and up and make his life right, but a tragedy soon unravels his progress and his life.

Jimmy Devane is an associate of Cordell's, which would be fine if he wasn't A) an "associate" of a lot of Cordell's competitors and B) an absolute slime ball. His allegiance is to the thing or the person that can get him the most money, damn the consequences.

Detective Ian Davenport is "the" man of the pack. He's strong, confident, caring, and determined to right wrongs and put wrongdoers where they belong: in prison. When tragedy strikes Jovan's life, Ian is quickly immersed into both Jovan's and Cheyenne's lives, much to Cheyenne's chagrin. And despite the fact that he needs to be impartial to solve the case, Ian quickly finds himself drawn to the twins...one in particular.

Mark Brockman is a do-gooder, but when it comes to dealing with a serious situation in his life, he decides to "do him" instead of handling the situation, which leads to consequences he's not prepared to handle. When his world is turned upside down, he finds comfort in the most unlikeliest place.


Each of these men has an agenda when it comes to Jovan, and she has to figure out which ones mean to do her harm and which ones mean to help her out of the darkness she's cast into.


Learn more about these men by picking up Death at the Double Inkwell.
It’s available NOW at Amazon.

Thursday, June 10, 2010

The Agent Experience with Death at the Double Inkwell - [podcast]

In the third podcast of The DDIW Chronicles, I talk about my agent experience with Death at the Double Inkwell.



You can check out the podcast [here]. Definitely consider ordering YOUR copy of DDIW through Amazon.com [link].

Saturday, May 15, 2010

The "Everything's Great, But..." Woman

We know her.


On the outside, she is a woman that most men want and most women envy.


She's the "everything's great, but..." woman.


You know.


She's beautiful. She has a great job. She has great friends. She has a great family. She has a great home. She has a great car.


Her future is so blindingly bright your retinas can sear just trying to imagine what her future looks like.


And when she smiles that toothpaste-commercial smile, it makes her whole universe that much brighter.


But the smile is fake.


A woman like this can't afford to let everyone know what's really going on in her world.


Because everything's great, but...


...she's not happy.


And she's usually not happy because of some man.


Sometimes, she has everything BUT the man, and she goes home to all her wonderful things and feels empty and lonely.


And sometimes, she has everything AND the man, and when the two are together, people are that much more jealous of her because she appears to have the perfect life.


Yet she goes home to all her wonderful things, including her husband, and feels empty and lonely.


Why?


In my debut novel, set to drop next month--Death at the Double Inkwell [Amazon], Jovan Parham Anderson is the "everything's great, but..." woman. She's a bestselling mystery novelist, has a wonderful twin that she writes great novels with--she has loving parents, and everyone in their hometown in Maryland consider Jovan and her twin Cheyenne to be just DARLING. And then there's Cordell, Jovan's husband. She's loved him since college, and he her, but at some point that love began to dismantle and the facade of Jovan's idyllic life begins to crumble.




And before she can even think about the situation clearly, her focus moves at one point away from her husband and to herself.


Is SHE the reason he's being distant? Is SHE not doing something right?


She wonders if her curvy figure is no longer attractive to Cordell--after all, he does call her out a time or two about her weight.


She wonders if she's not doing enough at home--considering she's a successful businesswoman just as Cordell is a successful businessman. Is she not being Suzy Homemaker enough for him?


More WHYs cloud Jovan's thoughts regarding her marriage and herself, especially when an event occurs that rocks the very foundation she's built her entire world on, causing
Jovan to question everything about her life with Cordell.



How can the "everything's great, but..." woman have EVERYTHING great in her life...with no buts?


She has to take control of her life, see the TRUTH of her life, determine what she NEEDS in her life, and act accordingly.


Will Jovan do all of those things?


You'll have to read Death at the Double Inkwell to find out.


It drops next month--but you can by it now at Amazon.

Wednesday, April 14, 2010

The Heart of the Matter: Interview with Author Rachel Coyne

The Author




Rachel Coyne is a collector of vintage editions of Jane Eyre, a devotee of Pablo Neruda and a lover of Don Williams songs. She is a graduate of the Perpich Center for Arts, a public arts high school in Golden Valley, Minnesota and Macalester College.



The Book




Whiskey Heart, Coyne’s debut novel, is the heart felt, sometimes uncomfortably truthful story of Kat Lovely. Kat returns to her Minnesota roots and her dysfunctional extended family to find both recovery and redemption. She has to hit bottom and find a way to grieve for everything that's been lost before she can live again.

"Coyne understands the human heart - she knows all the dark corners, twisted by the heat and hurt of love, and she knows the odd paths back from ruin. I couldn't put it down." -Jonis Agee

“Whiskey Heart lays bare the destructive power of family love, and yet Coyne’s voice – as clear and sweet as water – charges the novel with a visionary light. Rich in character, place and incident, the story moves like fate towards its final chapter.” -Lin Enger


WHISKEY HEART is CLG Certified, receiving a 5 out of 5 latte review, which you can check out on Amazon [click the cover].




Click the cover above to purchase YOUR copy of Whiskey Heart today!



Interview


Imagine the movie poster for your novel, WHISKEY HEART. What's the logline?
Love is a familiar stranger.


Expand on that logline by pitching us WHISKEY HEART.
Arriving home after years apart from her family, Kat Lovely tries to piece her life together by finally putting to rest her beloved cousin Tea. Charged with cleaning Tea’s rooms, giving away her possessions and finalizing her tragically incomplete life is almost more than Kat can bear – even years after her cousins death. Haunting Kat most are the stories her family tells, that resurrect Tea’s last days, even as she dismantles her life.


What was the spark that initiated the idea behind WHISKEY HEART?
All my works usually start with a clear “flash” of insight into my main character. I hear their voice and I love them deeply and I go from there, usually writing out all of the conversations first.


Talk to us about the writing process for WHISKEY HEART. Was it a fast write? Did you outline first or just sit and crank out the story?
I started this novel when I was fifteen and still in high school. I’m not a fast writer – my recent projects are going faster, but I still take a lot of time. What I typically do is write whatever I want in whatever order I want. I write the scenes that really grab me first. I don’t usually outline, except for reminders of the next few scenes, if I don’t have time to get everything done at once. I generate a lot of conversations, then I add action scenes. Then I usually put everything in chronological order and start typing from there. I stay pretty sequential after that – from page one to page 200. The process of typing out the conversations and the scenes usually reveals I’m light on descriptions or need a few extra scenes. So I add those. Once I have a typed draft things get easy again – I read everything aloud dozens of times and change things to flow nicely to the ear. At heart I’m a poet, so the language itself remains critically important.


If you were asked to describe your writing philosophy, how would you answer?
Find ways to make it easy on yourself. I don’t believe the process needs to be painful. It is work yes, but it shouldn’t be overwhelming work. If you feel overwhelmed, try a new approach until you find something that works for you.


What are you doing to promote WHISKEY HEART?
All through college I worked at a well-known independent bookstore called the Hungry Mind. This was the place for big names promoting books in Minnesota to give readings from Rick Bragg to Hilary Clinton to Isabelle Allende. I attended hundreds of readings of all sorts while I worked there and I still love them. So I’m trying to do as many readings as possible. I know this isn’t the most favored approach these days – and I do use social media. But I try to use the social media to encourage people to attend the readings, to meet me and hear me read aloud.


What are three pieces of advice you would offer writers wanting to get published?
  • Expect a lot of rejection and don’t take it personally.

  • Prepare for a long haul and have a day job you love (because life is too short).

  • When you do get an editor or agent, be open to what they have to say about your work. Selling a first book is not an instant ticket to fame – you need to be easy to work with if you want to keep selling books.


Who is one of your favorite writers, and how does he/she inspire you as a writer?
Charlotte Bronte is an easy choice for me. I have loved her since I was a child. There is such a singular richness to her characters – I am always striving for that clarity of voice when I write.


Word Association. What comes to mind when you see the following words:
WHISKEY HEART: Family
FAMILY: Brothers and sisters
LIFE: Leaving
WRITING: Comfort
RACHEL L. COYNE: Voice


What projects are you currently working on?
My first published work was a children’s book – a poem. These days I write exclusively in the long form (but I still try to make the text read lyrically like a poem). I am just finishing the first typed draft of a new novel called The Patron Saint of Lost Comfort Lake. It is set in the same part of Minnesota as Whiskey Heart with some of the same themes related to family and alcoholism.



Monday, November 23, 2009

The Inspiration to Write: Author Anjuelle Floyd, Part Two

The Writer




Anjuelle Floyd is the author of Keeper of Secrets…Translations of an Incident, a collection of interconnected short stories, and a novel, The House, due for publication in Fall 2009.

A wife of twenty-seven years, mother of three, she is a licensed Marriage and Family Therapist specializing in mother-daughter relations and dream work.
Anjuelle graduated Duke University, and earned a MA in Counseling Psychology from The California Institute of Integral Studies, San Francisco, and a MFA in Creative Writing from Goddard College, Port Townsend, Washington.

She has also attended the Dominican Institute of Philosophy and Theology, Berkeley, California. Anjuelle has received certificates of participation from The Hurston-Wright Writers’ Week and The Voices of Our Nations Writing Workshops.

Anjuelle is a writing instructor at Perelandra College.

A student of Process Painting for the last decade, Anjuelle has participated in The Art of Living Black Exhibitions 2004, 2005, 2006, 2007, 2008, and 2009 held at the Richmond Art Center, Richmond, California.

Anjuelle facilitates writing groups and provides individual consultation of fiction projects.

She also hosts the weekly blog talk radio show, Book Talk, Creativity and Family Matters.

Read Anjuelle’s blog @ AnjuelleFloyd.com!




The Books



One truth begets
another as a tale of passionate
confrontation in a restaurant travels from
eyewitnesses to others present.



Memories of the Hindu icon of dancing Siva compel wife and mother, Raven Clarke, to intervene in the attack of one restaurant patron on another.

Watching from a distant table, Lahni Irete finds herself driven back to the violence of her childhood and adolescence. She shares her account of the happening with psychiatrist, Reynard Williams, who embraces the tale in efforts to confront the pain that has left him sexually and spiritually impotent.

Williams seeks consultation from Sahel Denning, an injured psychologist no longer practicing psychotherapy.

The restaurant incident offers engineer, Michael Banks, a map to recalling the events of the morning before he fell from scaffolding on the Richmond Bridge.

Rumor and innuendo cloud Ariane Gadsen's acquaintance with the story that propels her towards reconciling her childhood loss.

The restaurant scene stirred regret and despair within Trey Williamson, a widower on his first date since the death of his wife.

Newly discharged Captain Darryl Sharpton receives safety and redemption from his most dark and intimate truth in the restaurant where the incident took place.





What would you do if you learned the person you were divorcing is dying?


On receiving the very thing she wants, a divorce and the power to sell their house, Anna Manning learns that Edward, her soon-to-be ex-husband, is dying. A faithful wife for over three decades, Anna endured Edward's constant absences while traveling on business for his international real estate firm, and his extra-marital affairs.

Anna takes Edward to live out his last six, possibly three, months in the house she fought so vigorously to sell. But letting go of someone who has caused so much pain does not come easily.

Edward has changed.

As their children return home, and say their farewells Anna confronts the challenges that Edward's impending death delivers each of them. Then there is Inman who loves Anna, and provides the one thing Edward denied their marriage—passion and intimacy.

Anna must also face the hopes and dreams she abandoned as an art history major turned wife, and mother out of college. In requesting the divorce she had planned to use her proceeds from the sale of the house to move to France. She would study the great art works of Europe, perhaps work as a docent in a Paris museum.

News of Edward’s terminal illness provokes Anna to understand the present rooted in the wellspring of the past, and pouring into a future without him. The House shows what happens when we adopt the belief that, All hold regret, and are seeking forgiveness. Our salvation rests in the hands of others—most particularly the ones whom we love most, and who have treated us wrongly.



Inspiration


Where do you find inspiration to create your stories?

Keeper of Secrets...Translations of an Incident contains 8 interconnected short stories. The major characters and their situations in the first 4 stories come from novels I wrote, and still unpublished, prior to earning my MFA in Creative Writing. I created Keeper of Secrets...Translations of an Incident as my thesis for required to earn my MFA.

I gain ideas for my stories from my work as a psychotherapist, and from my own experiences in psychotherapy as a client.

Prior to earning my MFA I had earned a MA in Psychology and completed an internship wherein I earned a license to practice psychotherapy. I was also a client of psychotherapy for nearly 25 years.

Studying psychology and becoming a psychotherapist allowed me to investigate and explore not only the lives of my clients, but for me to learn more about myself. Like writers, psychotherapists are drawn to our work in an effort to heal our own wounds. We accomplish this by assisting and giving to others.

Our work with clients requires that we continually examine our wounds. Tending our psychic injuries we reflect back to our clients what they have catalyzed us to learn about ourselves. The work of a psychotherapist is quite rigorous, at best. Patience, lack of judgment, internal honesty, and a willingness to observe our own scars are but a few of the requirements.

The first 4 stories in "Keeper of Secrets...Translations of an Incident" show protagonists who are in the helping profession. Raven Clarke, at the center of "Dancing Siva" is psychotherapist turned stay at home mom of three daughters. Her husband, Drew, is a partner at a law firm that provides legal counsel to corporations who are being sued. A wonderful husband, Drew defends the guilty. He knows this. So does Raven.

Though she loves Drew, Raven hold holds judgments about the nature of his work. Raven's mother is a federal judge. Her mother's longtime friend owns the San Francisco law firm where Drew was invited to join on asking Raven to marry him. He was made partner immediately after their wedding.

But Raven has her own crimes. Raven lived with a man named Absylom while the two studied in graduate school to become psychotherapists. A corporate scion that had traveled the world marketing electronics for a computer firm in China, Absylom had lived his life according to a chronometer before meeting Raven. Absylom's mother was of Rajasthani/South Asian descent. His father was of the Bakonjo tribe of the Ruwenzori Mountains located in Uganda. Absylom's parents met as young adults when his father was a student of the father of Absylom's mother, Abysylom's maternal grandfather. Absylom's parents married.

When Absylom was eight he and his family fled the regime of Idi Amin that ousted all peoples of South Asian descent. They went to London where they encountered other social difficulties placed upon immigrants. Abyslom's father, then at teacher at an all-boy's preparatory school died of a heart attack. Absylom and his mother believed the heart attack was rooted in his father having made the choice to leave Uganda to return because of his wife being South Asian and his son being of mixed descent.

Though accomplished at marketing computers and the accompanying software, this was the psychological wound that drew Absylom to San Francisco where he would study to become a psychotherapist. Absylom sought to become a psychotherapist, and then to travel to Rajasthan, the home of his maternal grandparents, and a place he had never seen. He would establish an ashram, a haven of rest and acceptance, for women abandoned by their families, much like Idi Amin had forced Absylom and his family into exile from Uganda.

Raven had promised to go with Absylom. But Raven's mother hated Absylom. The first African American woman to achieve federal judgeship in the 9th Federal District of California, Raven's mother despised the close and influential relationship Absylom held with Raven. Absylom had touched Raven's soul and awakened Raven to her spirituality, an aspect of life with which the judge grappled concerning her own life. That Raven was beginning to examine the hidden aspects of life unnerved her mother.

Raven and Absylom are working as student psychotherapists at a counseling center when she meets Drew. Drew's father is a former Lt. Colonel who survived two tours of duty in Vietnam. His family, Drew and his mother, hold remnants of the scars reflecting his battle to overcome the experience of the horrific war. Struggling with his own hidden demons, Drew has come for his first session of psychotherapy.

Drew and his mother endured much pain during his father's brooding depression while re-adjusting to civilian life. A career serviceman, Drew's father had worked as an orthopedic surgeon in the Marines. The transition had been rocky. Though they survived with their family in tack, Drew, as an adult, coped with his wounds by being good at what he does, defending corporate giants, who though arrogant, must kneel to his will, if they are to gain freedom from the courts and remain out of prison.

The vast majority of the corporate criminals that Drew defends are headed for Federal court where Raven's mother oversees cases. The nature of Drew's relationship with Raven's mother prevents the judge from hearing his cases. Still her presence looms within his mind as he prepares defense strategies. Neither does it hurt to have a relative reigning in that area of the courtroom.

Drew's expertise at pre-trial litigation allows the corporations to avoid court, but at a hefty price. Hence Drew receives a nice salary, what he feels the U.S. government owes him and his family in that his father fought in Vietnam, and that Drew and his mother gave so much in their efforts at supporting his father's difficult re-adjustment.

Raven is crying when Drew enters the waiting room of the counseling center. A psychotherapist in training she is waiting for a colleague student to vacate the office she and the fellow student share. Drew hands Raven a tissue. She does not tell him that she is not a client. She instead answers his question of why she is crying.

"My father is dying." An hour earlier surgeons explained that her father's cancer was inoperable. Raven's father and mother, the federal judge, divorced when Raven was 11. The divorce threw Raven's family in to emotional disarray from which Raven, and her two siblings, one younger and one older sister, have yet recovered.

"He's my only friend," Raven says to Drew of her father. She mentions nothing of Absylom with whom she has, and still lives from 3 years past, when they met during registration for earn their graduate school. Drew asks Raven on a date. Raven agrees. The fellow student vacates the office Raven shares with her. Raven goes across the hall to her office, Drew never the wiser that Raven has actually gone to see a client, not as a client to have a session. Minutes later Abyslom greets Drew. Drew's session is with Absylom. Absylom, the man with whom Raven is living, becomes Drew's therapist.

The daughter of a judge, Raven carries much guilt. She has lived with Absylom against her mother's wishes. And now she has been smitten with a man while living with another. She has also promised to accompany Absylom to Rajasthan and help him establish the ashram. Raven has dreamed about this project. She longs to travel to India and meet Absylom's mother. She also wants to escape the watchful, preying and judgmental eye of her mother.

Hours after the engagement party feting her and Drew's engagement, Raven, goes back to Absylom's apartment to get a book she as left. She assumes that he is the counseling center. And in truth he should be. She called first to ensure he was not there. Receiving no answer she is surprised to find him present when she enters the apartment. The two subtly spar for a moment, then on retreat from each other, Absylom apologizes for having worked so much during the last months. The two are six months from completing graduate school and Absylom has been absorbed with raising money and making plans for the ashram. On accepting his apology, Raven falls weak to her loss of not being able to go to the ashram. She and Absylom make love.

A week before she is to wed Drew, Raven learns she is carrying Abyslom's child. Raven and Drew have not made love. Hesitant to end the pregnancy, Raven goes through commencement with Drew and her mother looking on from the crowd. Absylom has left for Rajasthan, India. The graduation service holds an anticlimactic note that over shadows the small ceremony wherein Raven weds Drew, to whom she says nothing of the pregnancy. Two months later, and at her mother's insistence, Raven undergoes an abortion. The fetus was 16 weeks old.


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My unpublished novel, Absylom, provided the basis for my short story Both the novel, Absylom and the short story, "Dancing Siva," open 16 years later. Raven and Drew still married. They have three children, ages 13, 10 and 4 months.

In the short story, "Dancing Siva," Raven's and Drew's four-month-old infant will not stop crying. This, coupled with the fact that Raven has decided she will have no more children, delivers Raven a sense of dread. Her infant daughter's constant cries remind Raven of the 4-month-old fetus she aborted 16 years earlier, and for whom Absylom was the father.

"Dancing Siva" opens with Raven frantically searching for the wooden icon of the Hindu god Siva. Absylom's father carved the statue for Abyslom's mother. Absylom's mother then gave it to Absylom when he left for college. Absylom gave the icon to Raven before he left for Rajasthan. Raven's mother, a federal judge, had threatened Absylom with deportation if he did not leave the U.S as soon as he completed graduate school.

Absylom told Raven none of this. Aware of the threatened deportation, Drew said nothing to stop Raven's mother, even though Absylom had been his therapist. Drew has grown over the years of his marriage to feel immensely guilty for his silence. In a more subtle way it mirrors his actions of defending the corporations. Absylom had done much to help Drew come to grips with his internal problems.

"Dancing Siva" shows what happens when Raven does when she witnesses a couple grapple openly in a restaurant with an abortion that has taken place.

The novel, Absylom opens with Drew defending a company that has marketed and sold a brand of poorly designed baby seats. The company is facing a substantial class action lawsuit for the deaths of over 100 infants.
Though successful at what he does, Drew has grown weary of his work.

The novel, Absylom, shows Raven and Drew are fighting for their spiritual lives, and to save their marriage from destruction by the secret that sits between them---that Raven slept with Absylom on the night she celebrated her engagement to Drew.

Absylom, the novel, shows how Raven, Drew and Ravens' mother respond when Raven receives a call summoning her to Abyslom who is sick at the ashram he established in the Thar Desert of Rajasthan, India.


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I gained inspiration for this novel from my experiences of sharing and listening to the stories of fellow students with whom I became close during my four years of studying psychology at The California Institute of Integral Studies in San Francisco, California where I earned my MA in Psychology.

So much of becoming a mental health helping professional involves self-inquiry. Haridas Chaudhuri, a student of Sri Aurobindo, founded The California Institute of Integral Studies in San Francisco with the belief that the process of becoming psychotherapist required one to look not only their mind and that of their clients, but also to examine her or his soul in an effort and an example for facilitating clients in doing the same.

Course requirements for students of psychology at the CA Institute of Integral Studies include not only classes on Jung, Freud, Rank and Carl Rogers, but also those in Philosophy and Religion that explore eastern approaches to understanding life.

Hindu and Buddhist principles form the major cornerstone of the bridge that connects the study of psychotherapy at the California Institute of Integral Studies, and how students can use psychotherapy, combined with knowledge of these principles, to facilitate clients in addressing their problems. Attention to one's spiritual life is seen as an important way of taking what one has learned through self-inquiry fostered by psychotherapy, and using that information to alter life patterns of manipulative, self-sabotaging, and destructive behaviors.

The character, Absylom, in my novel symbolizes The California Institute of Integral Studies. Raven learned to meditate when living with Absylom. In many ways be was her spiritual teacher. The two spent an inordinate number of nights sitting before the wooden icon of Siva, the icon's eight arms out stretched, and dancing in the ring of fire. Siva is said to dance only when angry.

These hours spent in meditation preceded Raven and Absylom's lovemaking, experiences wherein and through which Abyslom, several times over, endowed Raven with the spiritual heartiness he had inherited from his father, and mother.

Raven holds much anger towards her mother, the federal judge whose character symbolizes an adherence to the rule of law without the benefit of mercy such that it engenders self-loathing. Yet Raven was destined to marry Drew of whom her mother greatly approved. And it is Drew whom Raven truly loves.

Raven holds a huge internal conflict that prevents her from experiencing spiritual freedom, and peace. The roots of her conflict lie in the depths and nature of Raven's relationship with her mother, the symbol of criticism and condescension. Raven manifests this conflict through her interactions with Absylom who like the ideal guru, mirrors aspects of Raven she has yet to claim.

A loving wife, and devoted mother, Raven has given her daughters the stable and loving home she never experienced with her sister when under the federal judge's care. Raven grows spiritually, psychologically and materially when living with Absylom. In choosing to abort their child, Raven set her hopes for success in the material and mundane world with Drew. She also belabored her spiritual quest of traveling to the Thar Desert and establishing the ashram.

Sixteen years of marriage and mothering teach Raven the truth of the adage, "Man cannot live by bread alone." Raven holds dreams and wishes for her soul. And like her mother, Raven too has personal ambitions.

Raven secretly wishes to devote herself to meditation, and exploring the realms of her inner consciousness. Like Absylom, Raven yearns to use her skills as a psychotherapist to facilitate others who desire in learning how to meditate and to use their experiences in meditation as a way to heal.

On a higher level, Absylom addresses the battles we all fight between loyalty to our jobs, the actual work of which poisons and kills the desires of our hearts.

"Render to Caesar what is Caesar's and to God what is God's."


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I've shared quite a lot about one novel, yet published, and the short story that opens my collection in Keeper of Secrets...Translations of an Incident. My aim in doing so was to demonstrate the kind of thought that goes into creating characters that tell a story. Many of the details I've shared do not go directly into the story. They instead inform me as the writer in shaping the narrative. They also guide me in establishing plot.



Part One of this author feature can be found at All the Blog's a Page!

Wednesday, July 15, 2009

Writer of All Trades: Kristin Johnson

The Writer




A graduate of the University of Southern California Master of Professional Writing Program and member of Women in Film and Television, Kristin Johnson draws on her multitude of experience in writing and storytelling. She is an award-winning poet (Blue Mountain Arts) and short story writer whose fiction has appeared in anthologies including the Southern California Anthology and Aleatory’s Junction, a journalist and Web writer, and a produced playwright with theatre award nominations (Desert Theatre League, Palm Springs, California). She is the author of the Midwest Book Review 'enthusiastically recommended CHRISTMAS COOKIES ARE FOR GIVING (Tyr Publishing, 2003), co-written with Mimi Cummins. ORDINARY MIRACLES: My Incredible Spiritual, Artistic and Scientific Journey, written by Sir Rupert A.L. Perrin, M.D. with Kristin Johnson, was published by PublishAmerica in 2004. Ms. Johnson is also the author of BUTTERFLY WINGS: A Love Story (iUniverse, 2000).

Her essay "Lincoln, YouTube and History Reconsidered" was excerpted for HAPPY BIRTHDAY, MR. LINCOLN, A National League of American Pen Women anthology celebrating the Lincoln Bicentennial and officially sanctioned by the Abraham Lincoln Bicentennial Celebration.

Her short screenplay “Daniel’s Letter From Heaven” has been a finalist in the 2003 British Short Screenplay Competition, ‘The Best & Most Prestigious Short Screenplay Competition in the World,’ and a quarterfinalist in the 2007 Screenwriting Expo Screenplay Competition in the Short Screenplay category.

Kristin is a writing consultant with many projects in the works.

Wanna learn more about Kristin? Check her out at Dotcomers.tv, A Ghost Writers Blog,MySpace, and Facebook.



The Interview


What are three colors that reflect your personality...why?
Red, because it is my favorite color and I'm passionate about what I do. Pink, because it's romantic. And blue, because it's a healing color, a peaceful color.


What was the first inkling in which you thought you wanted to be a writer?
As a child, I would make up plays, written on a typewriter, and cast either my stuffed animals or my family and friends. I also wrote an Elizabethan-era (unfinished) romantic novel when I was twelve. However, my mother, a former teacher and librarian, and my seventh grade favorite teacher, Mary Delaney, told me I was a writer, and that stuck.


What is your favorite movie...why?
I would have to say "Casablanca," just because of its brilliance and redemptive message -- and you haven't experienced it until you've witnessed Robert McKee analyze it scene by scene, moment by moment. However, I also will watch "The Shawshank Redemption," same reason, or "Legally Blonde" (just because it's always cute and diverting) any time they show on cable. "The Big Chill" is a favorite because of the connection to my alma mater, University of Michigan-Ann Arbor.


What is your favorite beginning of a movie...why?
"Shawshank Redemption" is one of my favorites. Also, "Breakfast at Tiffany's". You learn so much about Andy DuFresne and "Red" in those first few minutes of "Shawshank," and the image of Holly Golightly in those big sunglasses eating her pretzel outside Tiffany's is hard to forget. I also like Disney's "Beauty and the Beast" and "The Little Mermaid," just because they set the magical tone so well.


You are a writer of all trades - poet, stories, screenplays - what form do you enjoy writing in the most?
Another great question. Screenplay writing challenges me, so I enjoy it the most for that reason. However, with fiction, I love playing with words and expanding on character. For the fourth annual MuseOnline Writers' Conference, the free virtual writers' conference where you and I first met, I'm presenting a chat and weeklong workshop on what writing both screenplays and fiction can teach you about writing action. I cover more than action, of course -- character, dialogue and the Hero's Journey. I've converted scripts to novels and novels to scripts.


Talk to us about one of your first YES moments - a time when you received positive reception for your words.
Reading the wedding poem for my sister and brother-in-law, "On Our Wedding: Ahava," that later won first place in the Blue Mountain Arts Tri-Annual Poetry Competition. That poem was my wedding gift to them. When a local playwriting group staged a reading of my one-act play "Greetings and Salutations" (that later appeared in its playwriting festival and was nominated for five local theater awards), one of the audience members, an actor, jumped up and said, "I love it!"


You're strutting down the street - looking, feeling like a million bucks - what's your theme song?
"Wind Beneath my Wings" by Bette Midler, "One Heart" by Celine Dion or "That's Life" by Frank Sinatra.


What are some of the things you're doing to get your writing into the right hands?
Beyond the usual, writing contests and submitting to publishers/producers/agents (which I need to do more of), I would say: Networking, networking, networking. I network with people who aren't, strictly speaking, in the business, because you never know. I go to screenwriters' events hosted by Women in Film-Palm Springs, an organization I cannot praise enough. I connect with people through wonderful groups such as the Original Palm Springs Writers Guild, National League of American Pen Women and The MuseItUpClub Online.


Why do you write?
Author Christopher Rice, son of Anne Rice and a formidable professional in his own right, spoke to one of my writers' groups recently. He said, "What you do is valuable to our culture." While that's uplifting in the grander scheme (and a comforting thought on those writer's block days), my more elemental answer is that writing is part of who I am. I have a passion for it. Words, ideas, thoughts. A painting can spark a story. Anything I'm reading about or watching inspire stories, or else make it into my writing. I am a voracious reader and moviegoer. The written word is my lifeblood. My great-grandmother was a writer and my mother published a children's book.


To all those screenwriters out there looking to get a moment in the limelight, what are three pieces of advice you'd offer them?
Don't be afraid to take chances. Don't be afraid to put your work out there. I think of a friend of mine who died this year, actor Elwood Carlisle, who began his acting career as an extra "at the young age of 74". He died at 84. Among his career achievements was creating a "FANTASTIC" (his catchphrase) documentary on his life, "Elwood Superstar," produced by two amazing people who worked on "The Tonight Show with Jay Leno" and are now filmmakers. I am in the footage of that documentary. Whenever you think of giving up, think of Elwood, as I do.

And don't do screenwriting unless you genuinely love movies and television. The upside of that is that every time you go to a movie, any movie (good and bad), that's research.


What projects are you currently working on?
I'm doing quite a bit of work for clients, all types of writing, and enjoying the people who have given me their stories to work with. I have clients all over the world, from the UK to Illinois, New York to the Netherlands, from the Middle East to my home state of California.

I've started a novel of my own, just finished a rewrite of a script about cyberbullying (I'm working with the marvelous Michele Wallerstein), and am still writing on the "Dotcomers" project that I talked about in All the Blog's a Page when you so generously gave me the spotlight. By the time this is published, I will be in Japan and have visited Malaysia, which will inspire plenty of writing, I'm sure -- including travel writing for sites such as goparoo.com.