Wednesday, November 29, 2006

2006 NanoWrimo Winner


Yep, I cracked the 50,000-word mark tonight with a day to go. Man, it's been an incredible ride with these characters. I still have about 8 more chapters to go, so the party's not over, but this little chickadee is pooped.

Here's the beginning of my NanoWrimo work-in-progress, La Doña Rising:


The Chill of Death – December 31, 2006

Ladoña Maria Moretti Taylor wondered how she got here. Here being on her back, in the snow, on a starless New Year’s Eve night, with a gunshot wound to her chest.

She gasped for breaths, but with each breath, more blood pumped itself from her. On the outskirts of her mind, she could hear Yvette say, “Everything gets finished tonight, bitch.” Footsteps crunching through the snow alerted Ladoña to Yvette’s approach.

When she opened her eyes, she could make out the fuzzy outline of Yvette’s thick, brick house body, clad in a black cat suit and black parka. The .38 pointed at the center of her forehead, however, came through clearly.

Ladoña had wanted to be in the family business. She didn’t want to be her father’s piccola angela any more. And though her father was adamant that at least one of his children stayed “pure,” free of the business, Ladoña had found her way into the lies, the deceit, the heavy burden that everyone else in her family had to carry. Now, she had to show that she was strong, that she wasn’t scared.

And in the end, she wasn’t. She didn’t cry or beg for her life. She wouldn’t be the bambina her sister Santana Maria always professed her to be. “Know your place,” Santana Maria would say. “You are the baby of the famiglia, Ladoña. This shit we do is too scary for you, love.”

Not once, not through any of it was Ladoña scared, and she refused to go out with fear treading her heart.

So when Yvette growled, “Look at me and watch me kill you,” Ladoña simply looked into the black sky, her tiny body spread as if about to make snow angels, her blood staining the white crystalline canvas beneath her.

“Forgive me, Father,” she whispered to a sky so black she feared there might not be a God to hear her prayer. “I should have listened to you.”

“Say hello to your family for me,” Yvette said, laughing.

Ladoña closed her eyes to Yvette, to the coldness of the ground, to the burn in her chest. She just wanted to drift off into whatever was next, and as she did, she barely heard the words that seemed to swirl in the cool wind and fall onto her face like snowflakes. She did, however, hear the sound of gunfire.



Chapter One – Thursday, November 23, 2006

Bridgewater, New Jersey, is the type of place you raise a good family in. It’s full of nice homes and nice schools and nice people. Everything’s nice. Everything’s perfunctory. Everything’s normal, and that’s what Chester Jerome Taylor, Sr. and Anna Maria Moretti Taylor wanted for their family: normalcy. Or at least the appearance of it.

For over thirty years, Chester and Anna Maria loved each other fiercely despite the naysayers who didn’t understand how a beautiful Italian woman would ever want black man, regardless if he was a strong, good one. The love that connected them trickled down into their love for their children, of whom they distilled morals, values, conviction, and the importance of doing their absolute best in everything. Their children didn’t fail them.

As the whole Taylor clan sat around the expansive oak table laden with Thanksgiving eateries, Chester and Anna Maria couldn’t help but to smile and feel their chests swell with the pride of knowing they had raised four children who grew up to do wonderful things: their eldest, CJ, was a well-loved police officer; Santana Maria, their eldest daughter was a doctor; their son, Jordan Payne, was a high-level bank executive; and their daughter, Ladoña Maria, the baby of the family, was an English professor.

“Let us pray,” Chester said in a baritone voice that boomed. Each family member took another’s hand and bowed heads. “Heavenly Father. Thank you for this wonderful meal that Anna Maria and my girls have prepared. Thank you for allowing us all to be here, healthy and happy. We will continue to honor You all the days of our lives. Amen.”

“Amen,” the others whispered.

“Let’s eat!” Jordan yelled, rubbing his hands together.

He reached for a turkey leg, but his mother smacked his hand with the gravy ladle.

Ragazzo, act like you have some sense, please,” his mother chastised.

“He would have to have some sense first,” Santana chided.

Ladoña lifted her wine glass with pale, thin fingers. After taking a small sip, she quietly piled a few tastes of everything on her plate.

“I swear you eat like a bird,” Brenda said to her.

Ladoña turned, staring at Brenda’s belly, which was round and tight. She smiled as she saw CJ’s protective arm traipsed over the back of Brenda’s chair. Married for five years, Brenda and CJ were finally bringing a grandchild to the family. It would be a girl, which excited the women and silently saddened the men: boys, so they thought, were better to carry on family traditions.

“Brenda,” Ladoña said as she picked at a roll, “you’re about to pop any minute. You’re eating for two. I’m only eating for one.”

“More like half of one,” Jordan said, chuckling. “With your bony ass.”

“Watch your mouth,” Chester said.

Ladoña quickly stuck her tongue out at a sulking Jordan before laughing. She always found it amusing how just being back in the family home reduced them all to kids though at 28, she was the youngest person in the house.

“I can’t help it if I’m small,” she said. “I get it from Mama.”

And she did. She, like Santana, inherited their mother’s slender frame, olive complexion, and small bump in the bridge of the nose. They also inherited her huge black eyes and long, dark hair though Santana had to perm hers to keep it straight and manageable, and Ladoña had her famous silver streak that went the length of her thick, black mane. Her parents often told her she was born an old soul, knowing far too much for someone of her age.

“And you’re beautiful anyway,” CJ said, giving Ladoña wink. “Don’t listen to your knucklehead brother.”

“Hey, this knucklehead just cleared a quarter of a mill this year.”

Chester raised his fork, silencing everyone. “No talk of money around the table.”

Ladoña raised her eyes to her father and took in the piece of turkey dangling on the fork, threatening to fall into the bowl of sweet potatoes. She stifled a laugh. The small grin that graced her full lips faltered when she spotted the small tattoo on his left wrist. She quickly glanced at everyone at the table, and though she couldn’t see them, she knew they all had it. A tiny black broken heart on the inside of their left wrist. She didn’t have one. She wouldn’t have one. Not as long as her father kept her out of the business. Not as long as she allowed him to keep her out of the business.

Everyone quieted and commenced to eating.

“Answer your phone, baby,” Jordan’s sexy ring tone whispered. “Answer your phone, baby.”

Jordan smirked. “Sorry. I should answer that.” He removed the cell from its case on his hip and said, “Hello?” He listened for a moment and nodded his head. Both Chester and CJ took in every gesture made by Jordan. “Got it. See you then.”

When he hit End, Jordan smiled. “Hell yes. Got me some shit to do.”

“Jordan,” his mother warned.

“Dang y’all,” Jordan said. “You act like people don’t curse.”

“For one,” his father said, “you’re talking like you don’t know anything about English. Dang? Got me some shit to do?”

“With an English professor in the house at that,” Ladoña added.

“You know how you act at work?” Santana asked before flipping a lock of hair over her shoulder.

“Yeah, and?” Jordan said.

“That’s what we expect in the house. It’s about being bilingual.”

Silence ensued, followed by laughter.

“I’m serious,” Santana continued. “And you all know I’m telling the truth. We have our business language, our friend language, our family language. Mama and Papa would prefer we talk like we each received a good education.”

“Exactly,” Chester said. “Those educations were not free.”

“Except for Ladoña’s,” CJ said, grinning.

“Well that’s because she’s our little ingegna,” their mother said.

Ladoña blushed. “So,” she said, changing the subject, “who was on the phone?”

Jordan immediately switched moods; in a dark, quiet voice, he said, “I have some business to take care of. Will you all excuse me for a minute, please?” He stood and looked at Chester and CJ. “Pops, CJ, I need to talk to you both for a second.”

Brenda took CJ’s hand and asked, “What’s wrong? Is everything okay?”

CJ smiled and tenderly kissed her forehead. “Everything’s fine, baby,” he replied. He rubbed her belly through her beige silk dress for good measure. “I’ll be right back.”

When the men disappeared down the hall toward Chester’s office, the women looked at each other.

“Well, eat up, girls,” Anna Maria said. “Can’t have my babies wasting away.”

“Not a chance with all this food, Mama,” Santana said.

“Not when I give you all a hefty doggy bag to take home, I know.”

They all laughed.

Brenda rubbed her belly and with some effort, stood. “I swear, I might as well just live on the potty these days,” she said, slight perspiration dotting her cinnamon skin. Fair wisps of curls kissed her hairline. “Excuse me.”

“If you need help off the toilet,” Ladoña said, snickering, “let me know.”

“Thanks, sis,” Brenda said, shaking her head. “That’s something I expect Santana to say with her crazy self.”

“Now you know that wasn’t right,” Anna Maria said, softly laughing. “It’s hard carrying around a whole other person inside of you.”

“I can only imagine,” Ladoña said before piling some mashed potatoes and peas onto her fork and eating it.

“Ladoña, you say that as if you want no children. You want children, yes?”

Ladoña watched the pained look on her mother’s still youthful face. She couldn’t help but smile. As an only child, Anna Maria watched as her mother received lamented looks and words of shame for only birthing one child. It didn’t matter that her mother had complications during Anna Maria’s birth that eventually caused her to become infertile. Anna Maria took note of all the cousins that were born every year from her parents’ siblings. She knew that children helped to define a woman’s life, and even in 2006, it was expected for the women of the family to want to become mothers. They could be doctors, lawyers, and executives, yes, but at the end of the day, their number one career should be motherhood.

And Anna Maria was the epitome of that woman having gone through several ranks in the police department, a career that though fulfilling to her gave caused great disdain amongst the women. When she retired, her mother – just before she passed, said in full Italian melodrama, “Well, it’s a little late to leave the job now, Maria. The children are grown. They do not need you as when they were children.”

She didn’t realize that Anna Maria was more of a mother to her children than most women who stay at home. No matter what her schedule was, she always made sure food was cooked and ready for the children, homework was checked, and everyone was kissed at least once a day, told “I love you,” and read a story from the Bible. She knew the importance of being a mother, and she wanted her daughters to know it, too.

Sunday, November 26, 2006

Making a Stop on LIBBY STREET: an interview

The Dynamic Duo of Libby Street
(Left to right: Emily Morris, Sarah Bushweller; Photo By: Jack Slomovits)



IN THE KNOW WITH LIBBY STREET

Title of your new book: Accidental It Girl (Downtown Press)


Tell us about your journey to publication. (How long did it take you to write your first novel? How long was it from creation to representation to publication?)
Our first novel, Happiness Sold Separately, was an interesting journey. We began writing without any real goal in mind (for around a year). Of course, we hoped it would be published, but mostly Sarah and I just wanted to see if we could do it. When we finished a first draft, we were happy to discover that there was actually a novel in there. So, we spent about six months refining and polishing the manuscript, preparing it to send out to agents. We did a ton of research and made a long list of agents to query about representing us. We got extremely lucky and found a fantastic agent after our first batch of four query letters. It was an astoundingly short leap to having a publisher, and the whole process really went full tilt. From inception to publication it was about two and a half years, give or take a month or two.


They say two heads are better than one. Would you agree as you have published two novels as Libby Street?
Yes, I would say that two heads are better than one. At least, it works out that way for us. The best part is that, unlike some authors, for us there's no such thing as writer's block--or even exhaustion. We each write till we can't write anymore and then pass it on. When I'm spent, Sarah takes it and does her thing and vice-versa. So someone is always working on the book at all times. It's also great to have another brain on any particular story problem. We're constantly amazed at how we can be so similar and yet, when it comes down to story, one or the other of us will always come up with something that the other person hadn't thought of.


What's the process? How do you, as Libby Street, go about developing an idea and writing the book?
Well, the central idea, or spark, of the story comes from one of us. (For example, the idea for Accidental It Girl came from an idea I had many years ago--before Happiness Sold Separately, in fact.) We talk about the characters, the situations, and themes. Then, we work up an outline that both of us are happy with and start writing. In the writing stage, we each write a chunk then pass it on to the next person who reads it, edits it, and then adds on and passes it back. Of course, even when we're individually working on a section we end up calling the other person to bounce ideas around.


I want this; no, I want that. Do you ever argue over what to keep and what to trash while writing a novel? For example, if one of you wrote--in her opinion--a brilliant scene and the other wants to cut it, does that cause friction in the writing process?
Actually, Sarah and I have had very few--if any-- arguments about those things. When we do have different ideas of how something should go, we talk it out. Through our discussion, we always seem to come to a mutually agreeable decision on which direction to take. Often, we'll come up with yet a third idea that
we're both excited about.


What three pieces of advice would you offer aspiring-to-be-published authors?
Well, first I would say read everything you can get your hands on. Read in your genre, outside your genre, the classics, and tons of writing books and books on the industry.

Second--a piece of advice I got from my college mentor and first writing professor--get your butt in the chair. That means, just sit down and do it, no matter what. No one's going to write that book for you.

Third, don't give up. If your first attempt at a novel goes over like a lead balloon, well, write another one. If you want to be a published author, don't stop until you are one.


What are you currently working on?
Sarah and I are working on a really fun story idea that's a bit of a new direction for us. It's more of a Young Adult novel, but we hope that our loyal 20-something girls will like it, too.



A MOMENT WITH EMILY

What's your favorite thing about Accidental It Girl?
My favorite thing about Accidental It Girl has to be the male lead Ethan Wyatt. I have a major crush on him. Incidentally, one of the best things about being a writer is creating guys who are pretty much the fulfillment of every goofy, sappy fantasy you've ever had.


If you could only use 25 words to pitch Accidental It Girl, what would you say?
Oh, boy this reminds me of an exercise my profs made me do in film school--create a movie poster tag line. Okay, here we go: A female paparazzi and one of Hollywood's hottest bachelors lock horns and discover just how thin the line between love and hate can be.

Woo hoo! With one word to spare!


How do you spend your time when you're not writing?
Well, besides the stuff you can probably guess--like reading--I am very lucky to live in a veritable natural wonderland (the East End of Long Island), so I spend a lot of time with nature. Not actually mingling with it, you understand, but lounging on my rear looking at it. When I'm not gazing at the sea, you can find me watching an obscene amount of TV and movies. Or, pathetically enough, playing Sims 2. (I am a major nerd.)


What three adjectives best describe you?
Tenacious
Hard-working
Fierce (okay, sorry that last question got me thinking about America's Next Top Model which is on in a couple of hours) Hmmm, a third adjective . . . how about crafty. Not in a "those criminals are crafty" kind of way, but like a "Wow, Emily, that pinecone Christmas garland you made was really crafty" kind of way.


What three adjectives best describe Sarah?
Selfless
Fun
Fierce


Word association. What comes to mind when you read the following words:
Best Friend: Sarah
Writing: all the time
Hollywood: sign
Paparazzi: fascinating



A MOMENT WITH SARAH

What's your favorite thing about Accidental It Girl?
Well, it's a cross between the male lead Ethan Wyatt - I love him very, very much - and the research we got to do for the book. Imagine having the freedom to read tabloid after tabloid and never having to feel guilty or embarrassed. No one could make fun of me because it was all in the name of research! It was heaven.


If you could only use 25 words to pitch Accidental It Girl, what would you say?
This is always the hardest part for me, but here it goes: A female paparazzi and a Hollywood bad boy get a lesson in how opposites attract.


How do you spend your time when you're not writing?
Starting tomorrow, I'll be spending my time in India. For two whole weeks. I'm ecstatic! The rest of the time I am an ad exec. That's not really as exciting.


What three adjectives best describe you?
Sincere, happy, and right now, tired.


What three adjectives best describe Emily?
Determined. Smart. Beautiful.


Word Association. What comes to mind when you read the following words:
BEST FRIEND: Emmie
WRITING: When's it due?
HOLLYWOOD: cocktails in the afternoon
PAPARAZZI: flashbulbs



To learn MORE about Libby Street, you can visit their WEBSITE, or you can check them out on MYSPACE!

Saturday, November 25, 2006

Lauren Baratz-Logsted's out with her debut YA novel!

I'm a HUGE fan of Lauren Baratz-Logsted, and she's now venturing into the world of young adult fiction. Her novel, ANGEL'S CHOICE is due out next month, but you can pre-order now from Amazon.com. I, for one, look forward to reading it because I'm tired of some of the serial young-adult books that are out that simply take Sex and the City like storylines and make the characters 16. Where's the real, the gritty, the meaty? If I know Lauren's work, she's going to pain a realistic story, full of all the nuances of life - funny, bittersweet, dramatic, etc., etc.

Read the descrip below and consider purchasing your copy. I don't think you'll be sorry.


All I remember is the sensation of things slipping away from me....

In one night Angel Hansen's life changes forever: She has sex for the first time. Not that she remembers the act itself -- not the pain or the pleasure. But she is left with something that will never let her forget it: an unplanned pregnancy.

Angel must make a choice. Abortion? Adoption? Keep it? None of these choices are easy and none of them are perfect. But there is one thing Angel is sure of. Whatever choice she makes, it must be the right one for her. Braced with that knowledge, Angel faces the toughest decision of her life.

Sunday, November 19, 2006

I'm loving NanoWrimo...

Yes, it is true. It's been a tedious process, more so this year than last. It's weird because we had Hurricane Rita last year, and after being gone from my home for about three weeks and having to return to chaos, I managed to write 60,000 words in the month of November, starting Nano just a week or two after returning from the storm.

This year, I didn't want to just rush, rush, rush into writing. I wanted to pace myself. I did this because I had/have so much other stuff on my plate right now, and really, I haven't been on my "A" game on ANYTHING this semester; I chalk it up to post traumatic rita syndrome. We spent so much time dealing with the 'cane then rebuilding that we never got to breathe and realize, "Shit, we had a major hurricane!" Well, that's this semester for me. I spent all summer and up until the second week of November, watching the Weather Channel and checking the hurricane site online. I feared a new 'cane, and on top of that worry and teaching, I knew it would be hard for me to write.

Well, I'm happy to say that I am on track to hit my 50,000-word mark by the end of the month. Last night, I broke the 30,000-word mark. I've been diligently writing my 1,667 words a day; last night, I almost finished TODAY'S writing, so that's great.

This is a story I'm really interested in, a story that's different from any other story I've written, and I LOVE that, too.

I probably won't be "finished" the novel when November ends; in fact, I'll probably have 4 more chapters to write in December before it's complete, but all that matters is I'm writing and I'm meeting some interesting people all over the world, too.

If you haven't Nano'ed, you should definitely consider doing it next year! :-)


OH, btw, a new, AWESOME interview will be coming your way this week--be on the look out!

Friday, November 10, 2006

The Star for a Day Contest - Enter Today

A P in A Pod Productions in association with Jaguar Productions, Inc. are looking to make YOU a star, and bring more awareness to cancer.

Enter The Star For A Day Contest to win a speaking part in the upcoming movie The Champion Inside.

How To Enter: If you are a cancer survivor, have survived the loss of a family member, best friend or loved one, write a 250 word essay on how and why the champion lives inside of you. What has changed in your life now that you are a survivor? How do you help others who have been stricken with this devastating disease?

The winner of the contest will receive the following:

  • A one line speaking role in the upcoming film The Champion Inside

  • Round trip airfare to Philadelphia, PA

  • Hotel and meals accommodations for two days

  • A limo to and from the airport (or to and from your home if you live within two hours from Philadelphia, PA)

  • The Champion Inside gift basket (valued at $250.00)

  • A photo shoot with the stars of the film

  • Your name in the end credits of the film

  • Media interview

The deadline is January 30, 2007.

For more information log on to - www.thechampioninsidemovie.com.

Saturday, November 04, 2006

One on One with Romance/Mainstream Author, Bettye Griffin



Title of your latest novel: One on One




Pitch the novel in 50 words or less.

Love post 9/11. The heroine lost her husband that day. One of the husband's last requests was asking his stepbrother to take care of his wife and children. In doing this, the stepbrother falls in love with her. Guilt drives him away, but three years later he returns, only to find his feelings haven't changed.

I went 5 words over. Oops.


What's your favorite thing about this novel?

The setting. I tagged along while my husband did some consulting in the Greenville/Spartanburg area of South Carolina, and I thought it a lovely place. I guess I'm partial to mountains.


Since 1998, you've been a writer of romance novels; last year you published your first mainstream novel. What was the transition like?

It feels like I can breathe. The rules of romance get more constricting all the time (and many publishers have the exact same ones.) In mainstream, anything goes. The books I've had published so far (The People Next Door, Nothing But Trouble) don't even have romance in them, so I really feel like I've switched genres.


Do you plan to write other mainstream novels? If so, any in the foreseeable future?

Absolutely. I'm not about to give up all this creative freedom. Look for If These Walls Could Talk in June 2007. It's available now for pre-order on Amazon.com. I'm already working on the follow-up to that, but since I haven't gotten an official green light from a new, very backed-up editor, I won't say anything else about that.

In response to popular demand for sequels to The People Next Door and Nothing But Trouble, I've started outlining a story that will combine the two "bad girls" from each, pitting them against each other. All I can say is don't hold your breath; this is bound to take some time.


I've read several of your books, and one thing I love about them is that you tackle real-life concerns in them, such as divorce, infertility, love between different classes, and family values. What do you think compels you to not write the "fluffy sweet" romance and to integrate your romance into stories full of realism?

Several? While haven't you read them all? (smile) I like happy endings as much as the next person, but I'm just not a fantasy type of gal. Some of the traditional romances strike me as sappy, full of stereotypes like petite heroines who always wear heels, even if they're going on a hike, etc. I did write one romance with a Cinderella theme (From This Day Forward,) and while many readers enjoyed it, others complained that it took too long for the romance to develop. I didn't feel it was realistic for strong feelings to be present from the start from two individuals with such vastly different backgrounds (the hero was a TV journalist, the heroine was po',) at least not on his part.


You've been a published author for almost ten years - what are three things you've learned about writing, about publishing that you believe all aspiring writers should know coming into the game?

1- That there's a heck of a lot of competition out there, so make sure you've dotted your I's and crossed your T's. Good writing helps, too. There's a lot of stuff out there now that I personally don't believe would have been published if the authors didn't have good track records.

2 - Watch out for editors and agents who only want to see ghetto fiction (unless, of course, that's what you write).

3 - There are no short cuts. Period. So don't get started unless you're prepared to do the work.


I know novels are like children - every book in the author's eyes is beautiful, but if you could pick, what three books were the most fun to write and why?

Prelude to a Kiss was a lot of fun because it was a romantic comedy and just a fun story. I also got a kick out of The People Next Door when writing about nosy neighbors and their antics. And I enjoyed writing Where There's Smoke because (I hope) it gave single mothers hope that their prince awaits.


Dream-on: You've been greenlighted to do any creative project you want. What project would that be?

I can't tell you that, because I still hope to get a green light on it!


If you want to learn more about Bettye and her books, check out her WEBSITE. Bettye also has a blog: Chewing the Fat with Bettye!

Friday, November 03, 2006

You Know What Time It Is

Yes. The time is here. November. If you quiet yourself, you can hear the feverish banging on keyboards as thousands of people over the entire world propelled themselves into the exciting, frustrating, and insane activity of writing 50,000 words toward a novel. Yes, that's write, er, right: NanoWrimo.

I'm crazy. I'm doing it again. My name is chicklitgurrl, so if you are nanowrimo-ing, add me as a buddy.

I don't know what genre my story falls under, but it's titled La Doña Rising, and it pays homage to my favorite movie, The Godfather. It's about family tradition, the family business, and one woman's possible rise in that business.

Come join me in the crazy fun of NanoWrimo.


PS-->new interview coming in a day or two! :-)